Sometimes it’s all about experimenting and testing

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Just before the holidays, we worked with an aspiring model named Jessica Connelly to create a few images to give her portfolio a boost.

We’ve worked with her before to create a series of fun sports-themed photos. I saw the request as an opportunity to experiment with some ideas, as testing often sharpens skills and allows for some creativity that professionally commissioned shoots don’t always allow.

Testing also gives new and current clients the opportunity to see ideas that they might like to use in their own way as well.

Traditionally, I define my work as very clean and sharp. I tend to shoot low ISOs and often disregard images that aren’t, what I consider, perfect. Tina is the yin to my yang, though, and she’ll often art direct something to be an image, something to stop and admire for different reasons except that it’s not a technically perfect photo. These are the kinds of photos that are often found in the pages of style magazines. I see them and wonder who the hell hires these photographers who submit shots of beautiful models and celebrities that are out of focus.

I mean, seriously.

Lately I’ve been challenging myself on my own aesthetic and I’m trying to alter my views on always shooting low ISOs and always leaning toward the crisp and focused image. There’s two shots in this series of Jessica that I shot high ISO, the one laying on her stomach on the bench and the one with our dog Talulah.

The one with Talulah came in at a whooping ISO 2000. The one on the bench is not as drastic, as it’s only ISO 400, but it’s not typical for me to shoot upwards of ISO 50 to 200.

I know that might not sound crazy to you, but it’s different for me.

Another experiment on this shoot came in the form of long exposures and painting with light. The image with the light streaks below was a 39 second exposure. The one above and the one second to last were 1.5 and 2.5 second exposures. I had Tina open the shutter, I popped a flash with a beauty dish modifier on Jessica and then asked Tina to close the shutter. I loved how the blacks were so black. I loved how it felt the light was a paint stroke rather a splatter. It felt like it had more purpose

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