Tina and I recently photographed blown out electrical equipment to be printed large and used to decorate the walls of a corporate office. Take a look!
Amazing. Just amazing little videos/ traVlogs. Created with this little camera.
In two separate papers published over the weekend, some of the world’s leading trade economists declared Trump’s tariffs to be the most consequential trade experiment seen since the 1930 Smoot-Hawley tariffs blamed for worsening the Great Depression. They also found the initial cost of Trump’s duties to the U.S. economy was in the billions and being borne largely by American consumers.
In a study published on Saturday, economists from the Federal Reserve Bank of New York, Princeton University and Columbia University found that tariffs imposed last year by Trump on products ranging from washing machines and steel to some $250 billion in Chinese imports were costing U.S. companies and consumers $3 billion a month in additional tax costs and companies a further $1.4 billion in deadweight losses.
If I could, I would get on board with this! Looks like so much fun.
The secret to growing up is that no one really knows what they’re doing. It’s in the gap between childhood and adulthood that we find meaning for ourselves. WATCH MINDING THE GAP NOW: http://hulu.com/minding-the-gap
ABOUT MINDING THE GAP Compiling over 12 years of footage shot in his hometown of Rockford, IL, in MINDING THE GAP Bing Liu searches for correlations between his skateboarder friends’ turbulent upbringings and the complexities of modern-day masculinity. As the film unfolds, Bing captures 23-year-old Zack’s tumultuous relationship with his girlfriend deteriorate after the birth of their son and 17-year-old Keire struggling with his racial identity as he faces new responsibilities following the death of his father. While navigating a difficult relationship between his camera, his friends, and his own past, Bing ultimately weaves a story of generational forgiveness while exploring the precarious gap between childhood and adulthood.
Minding The Gap won the U.S. Documentary Special Jury Award for Breakthrough Filmmaking at the 2018 Sundance Film Festival, and is executive produced by veteran documentarian Steve James (The Interrupters, Hoop Dreams). Bing Liu also serves as producer alongside Diane Quon (Life Itself, Hoop Dreams). Hulu and Magnolia Pictures will release the film on August 17, 2018.
The story of how Dorothea Lange created perhaps the most iconic photograph in American history.
Also see this NYT article:
Dorothea Lange’s 1936 portrait of Florence Owens Thompson and her daughters is so well-known that finding anything new to say about it seems futile. Yet as with the Mona Lisa — to which the “Migrant Mother” photo has been compared — the image retains an air of mystery.
But “Dorothea Lange: Migrant Mother,” a new book from the Museum of Modern Art, offers fresh insights as it weaves a compelling tale about some little-explored details. Written by Sarah Meister, a photography curator at MoMA, the book comes out at a time when faces of desperately poor people in migrant caravans dominate the news.
“I thought, could there possibly be anything new to say about this picture?” Ms. Meister said. “But Lange is so important. I find her politics so admirable. Her sense of commitment and her ability to distill very important and complex arguments into imagery that made those arguments seem absolutely impossible to ignore. It feels particularly timely.”
While I was running on Sunday morning in 8 degree temperatures, I passed two elderly women walking down the Lake Shore Path, one using a walker, the other with her hand under that woman’s arm. They were on a stroll.
I was running with my GoPro. I pointed the camera at them and once past them, I looked at the lens and said, “There’s no excuses. If they can be out here, no reason anyone cannot be out here.”
The above movie trailer is for a Steven Soderbergh film shot completely on iPhones called Unsane. There’s an article and discuss thread here.
Like any topic on ANYTHING, you have dissent and agreement. The response range is typical. But the message, at least to me, is clear. Storytelling is storytelling. Whether you do it on a $45,000 camera or a $1000 one. Or a $150 one. Making, generating and publishing content is easier than it has ever been. And I’ve been pushing myself to crank out as much work as I possibly can.
It’s part (im)mortality. Part creativity. Part instinct. Part necessity.
I need to create. I have no children. I claim to be an artist. So fucking art (as a verb), mother fucker.
That’s what I tell myself, anyway. And I guess I can tell you, too. If you’re so inclined.
Right now I’m creating a lot of content on a GoPro 7. It’s not excellent quality, but it works. I pick it up. I run out the door with it. I create with it. I don’t hate the footage. I don’t hate the sound. But I don’t LOVE it. But I’m not letting good stand in the way of perfection.
I, for one, am inspired.